Dear Michael,
Thank you for your reasoned response: I agree with many of the things you say.
America is plural, no doubt: otherwise, how could someone like Finkelstein or Chomsky have ever written what they have.
I have nothing against America per se: there are aspects of the western civilisation that are disquieting.
I'm sure many Americans dislike the Israel lobby: but that doesn't help the Palestinians or the Iraqis at all.
In fact, I don't blame the Israel lobby one iota, either. The problem is deeper than that: the problem is pluralism itself.
I'm sure you're familiar with the theory of civil society: I have written quite a lot on the subject, and if you visit my web page, you will come across most of them (http://www.geocities.com/if6065/farvardin).
A plural society is characterised by a constant struggle among interest/lobby groups: it's a Darwinian struggle: some lobby groups prosper at the expense of others. Take farmers: US and European farmers have lobbied to make sure third world farmers remain in poverty, and also that US and European consumers pay eight times the world price of sugar, for instance. As you'll find in Finkelstein's book, the Israel lobby has made gains, not only at the expense of the Palestinians, but also at the expense of black Americans. This is normal in a pluralist society.
It took the Israel lobby years (decades) to assert itself in America (during the first Arab-Israeli war, the US didn't lift a finger to help Israel; it was Stalin who supplied Czech
weapons and saved the infant state from destruction.)
Finkelstein observes that it was the Israeli success in the 1967 war that clinched America's support for Israel – this is wrong.
In the book, THE AMERICANISATION OF HE HOLOCAUST, the firs chapter observes how Jewish writers in the early 20th century downplayed their Jewishness. Saul Bellow, in Dangling Man, makes a passing remark on Jewishness; later, however, in What Kind of A Day Did You Have (good story!), Jewishness is prominent. Moral: it takes years for civil society to assert itself. Incremental measures, such as, notably, the radio broadcast of the Eichman trial, led to the lodgement of the Israeli identity (not Jewish identity) in the American psyche. I avoid "Jewish identity" because many devout Jews, such as Rabbi Goldstein and Jews Against Zionism, are against Israel: this is a problem that stems from the French revolution: nationalism (http://onlinejournal.com/artman/publish/article_2607.shtml)
The parallel with trade unions will make it very clearer. Trade unions were banned in 19th century Britain on competition grounds. Then they were legalised, workers got the vote and prominent writers (the Fabian society being the most famous), took up their case, and they became a sacred coy.
Forward tot he 1960s and 1970s. The stranglehold of the unions on Britain was obvious (I was thee during the coal-miners strike in the 70s). Britain "was not working" but government were powerless to do anything. This is a superb example of the tail wagging the dog, how a civic group can control the state itself. What about the business lobby? They were powerless.
Then came Mrs. Thatcher – and she used devious and ruthless measures to crush the inions (hence, Iron Lady). I've nothing against British trade unions – this is merely an example of hoe pluralism can be dangerous.
I have written a great deal: I'm sorry about that. But please bear with me. There are two things I wish to say further.
First, the word 'freedom' is so important in western civilisation because it was the only civilisation to practice slavery on a large scale (I know what you're thinking: who built those pyramids!). Pleas see my article: http://people.brunel.ac.uk/~acsrrrm/entertext/5_3/ET53SayeedEd.doc
The only noble exceptions were the Roman Empire (NOT the Republic) and the Hellenistic world – precisely because they were monarchies.
Secondly, there is a widespread perception among westerners, and especially Americans, that the Muslim world hates them. Now, I live in a country of 140 million Muslims (the second largest after Indonesia). Among my friends, all are passionately in love with the west (especially America). Despite all the evidence I have tried to garner and share, not one person has ever evinced any displeasure with the west. I know you will find this incredible: but it is a fact. Most Muslims LOVE America.
I was once planning to go and live in the UAE: I was told by friends there that if I had an American passport, not only would I have better pay, but far greater prestige.
I don't know how this misconception has arisen that Muslims hate the west: SOME do; MOST love the west. Not only for financial reasons; most people I know think western civilisation (especially America) is the fountainhead of all that's good and great.
You can see my pathetic attempts to "enlighten" my compatriots in this essay: http://poeticdiversity.org/main/prose.php?recordID=1176&date=2007-12-01
I will end this overlong piece with a quote from a Palestinian who was resident in Dhaka: "Our biggest enemy is the ummah; I don't blame America."
Thursday, March 27, 2008
Saturday, March 15, 2008
Huxley, and the meaning of words
Huxley, and the meaning of words
(article at above link)
This essay is a tribute to the victims of democracy: the long-suffering Palestinians, the traumatized Iraqis, ...black Americans, Native Americans. We're trained since childhood to ignore victims of democracy and to associate democracy – the word – with feelings of well-being and bonhomie. Aldous Huxley was well aware of the conditioning behind the emotive aspects of the word, as long ago as the 1920s: he knew it was sheer falsehood.
Excerpt:
When a Palestinian uses the word ‘democracy’, he means oppression. When a white, middle-class American uses the same word – well, he or she feels the reverse. When a Hindu uses the word ‘beef’, he definitely does not have the same sensations as a Muslim. And when a Frenchman says soixante-neuf, well, we have a fairly clear idea of what he is getting up - or down – to.
(article at above link)
This essay is a tribute to the victims of democracy: the long-suffering Palestinians, the traumatized Iraqis, ...black Americans, Native Americans. We're trained since childhood to ignore victims of democracy and to associate democracy – the word – with feelings of well-being and bonhomie. Aldous Huxley was well aware of the conditioning behind the emotive aspects of the word, as long ago as the 1920s: he knew it was sheer falsehood.
Excerpt:
When a Palestinian uses the word ‘democracy’, he means oppression. When a white, middle-class American uses the same word – well, he or she feels the reverse. When a Hindu uses the word ‘beef’, he definitely does not have the same sensations as a Muslim. And when a Frenchman says soixante-neuf, well, we have a fairly clear idea of what he is getting up - or down – to.
Labels:
Aldous Huxley,
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democracy,
food,
Ghost Dance,
God,
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Native Americans,
Palestinians,
peyote,
sex,
soixante-neuf,
The Perfumed Garden
Friday, March 14, 2008
The Passing of Willard Van Orman Quine
The Passing of Willard Van Orman Quine
article at above link)
Anglo-American philosophy has been a barren wasteland for writers of fiction and poetry: analytical philosophy simply refuses to lend itself to works of imagination. The death of Willard Van Orman Quine eight years ago hardly echoed through the literary world.
article at above link)
Anglo-American philosophy has been a barren wasteland for writers of fiction and poetry: analytical philosophy simply refuses to lend itself to works of imagination. The death of Willard Van Orman Quine eight years ago hardly echoed through the literary world.
Friday, March 7, 2008
Three Folds Across Her Middle
http://unlikelystories.org/sayeed0308.shtml
(article at link above)
The failure of the nation state in South Asia is reflected in the region's cinema, which clearly shoes a lack of shared imagination, with films being classified as A grade and C grade, corresponding to their elite and mass audiences respectively. Unsurprisingly, the female form shows the same schizophrenia at work, with the mass audience demanding the traditional, heavy female form, and the westernized elite plumping for her svelte, westernized counterpart.
Excerpt: "But how do we explain the figure on the catwalk? For explain her we must, since the ideal of feminine beauty in the Indian subcontinent still clings to that outlined centuries ago in The RatiRahasya (Secrets of Love):
She in whom the following signs and symptoms appear is called a Padmini. Her face is pleasing as the full moon; her body, well clothed with flesh, is soft as the Shiras or mustard flower, her skin is fine, tender and fair as the yellow lotus, never dark colored. Her eyes are bright and beautiful as the orbs of the fawn, well cut, and with reddish corners. Her bosom is hard, full and high; she has a good neck; her nose is straight and lovely, and three folds or wrinkles cross her middle - about the umbilical region."
(article at link above)
The failure of the nation state in South Asia is reflected in the region's cinema, which clearly shoes a lack of shared imagination, with films being classified as A grade and C grade, corresponding to their elite and mass audiences respectively. Unsurprisingly, the female form shows the same schizophrenia at work, with the mass audience demanding the traditional, heavy female form, and the westernized elite plumping for her svelte, westernized counterpart.
Excerpt: "But how do we explain the figure on the catwalk? For explain her we must, since the ideal of feminine beauty in the Indian subcontinent still clings to that outlined centuries ago in The RatiRahasya (Secrets of Love):
She in whom the following signs and symptoms appear is called a Padmini. Her face is pleasing as the full moon; her body, well clothed with flesh, is soft as the Shiras or mustard flower, her skin is fine, tender and fair as the yellow lotus, never dark colored. Her eyes are bright and beautiful as the orbs of the fawn, well cut, and with reddish corners. Her bosom is hard, full and high; she has a good neck; her nose is straight and lovely, and three folds or wrinkles cross her middle - about the umbilical region."
The Interpreter (fiction)
http://unlikelystories.org/sayeed0308.shtml
article at link above)
The theme of master and slave runs like a leitmotif through western civilization. This is the story of a Bengali-English interpreter, who has a clear vision of the relationship possible between white and non-white people – a relationship based on nothing more, or less, than work. (Some of the events recounted here, such as the segregation of the living quarters, are drawn from actual events.)
article at link above)
The theme of master and slave runs like a leitmotif through western civilization. This is the story of a Bengali-English interpreter, who has a clear vision of the relationship possible between white and non-white people – a relationship based on nothing more, or less, than work. (Some of the events recounted here, such as the segregation of the living quarters, are drawn from actual events.)
Labels:
bangladesh,
master,
racism,
slavery,
work
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